This video is all about the Top 5 New Features on the Maschine MK3.
Like everyone else on the planet, we at Bunker 8 cannot wait to get our hands on this latest release of Maschine MK3. We will have to wait until ours arrive. In the meantime, check out the video and the specs on this fabulous instrument. This video covers the top five best new features of this great beast.
SYSTEM REQUIREMENTS
Mac OS X 10.11 or macOS 10.12 (latest update), Intel Core i5, 2 GB RAM (4 GB recommended)
Windows 7, 8, or 10 (latest Service Pack, 32/64-bit), Intel Core i5 or equivalent CPU, 2 GB RAM (4 GB recommended)
Additional Requirements
- USB 2.0 Port, 9 GB free disk space for MASCHINE software and MASCHINE Library, 18 GB free disk space for KOMPLETE 11 SELECT
- An Internet connection and a graphics card which supports OpenGL 2.1 or higher are required to download and activate MASCHINE software. Once installed and activated, all products can be used offline.
ADDITIONAL INFO
- Supported Interfaces: Stand-alone, VST, Audio Units, AAX 32 and AAX 64, ASIO, CoreAudio, WASAPI
- Please note: Native 64-bit support for stand-alone and plug-in versions.
- MASCHINE requires activation: Activate using the serial number on the flyer inside the box.
- In case of graphics issues, please install the latest drivers for your GPU. This can be necessary even if Windows reports them as up to date.
- MASCHINE software, MASCHINE Factory Library, and KOMPLETE 11 SELECT are provided as downloads after registration — an Internet connection and a graphics card which supports OpenGL 2.1 or higher are required to download and activate the software. Once installed and activated, all products can be used offline.
DRUM SYNTH PLUG-INS
Create your own perfectly-tuned electronic and acoustic drum sounds in truly peerless quality. Six monophonic drum plug-ins built exclusively for MASCHINE 2 give you any percussive sound you need. All fully tweakable, automatable from the hardware, and built with NI’s acclaimed DSP expertise.
Listen to the Drum Synths
KICK
Nine engines deliver powerful low end. Four are based on classic analog machines – fat, punchy, deep, dusty, and everything in between. The other five deliver some of the most realistic acoustic-sounding kicks you’ve ever heard. And a broad sweet spot means you get pro sound no matter what you dial in.
SNARE
Thick, harsh, bold, deep, filtered – create any electronic snare imaginable. Or create breathtaking acoustic snare sounds and tweak with the total control that a real snare can’t give you. Nine engines to choose from, plus a dedicated clap engine for both electronic and acoustic claps.
HI-HATS
No samples here. Three different engines produce the full range of hi-hat sounds, from classic analog hi-hats, digital, robotic sounds, or thick, crunchy sounds from a new, grain-based oscillator. And a few quick tweaks take you beyond simple hi-hat sounds, and deep into creative territory.
TOMS
Three engines let you craft a full set of toms fast. Digital sounds from percussive to bell-like to completely alien. And acoustic sounds so warm and fat you won’t believe they’re not samples. Added control over pitch bend and advanced parameters give you total flexibility. All on the hardware, and super intuitive.
PERCUSSION
Three engines, no limits. The fractal engine delivers electronic percussion, from bell-like and metallic to sub-heavy and twisted. The shaker engine gives you acoustic shakers and maracas, and the kettle engine offers rich, resonant timpani. All sounds are mapped across the keyboard for pitched percussion and melodic accents.
CYMBAL
The Crash engine delivers everything from a 909-like crash to more acoustic-sounding cymbals. The Ride engine can be adjusted to sound as if the cymbal is being struck on its edge or bell.
BASS SYNTH PLUG-IN
Create rich bass tones with this monophonic bass synth, exclusive to MASCHINE. Design and shape with intuitive, fun, and fully-automatable controls, including filter, mod envelope, decay, drive, and glide time, directly from the hardware. Morph seamlessly between waveforms – from sine to saw to square – to create your own unique sounds, with no synth programming knowledge required. Or load any of the pro-designed presets to get studio-ready bass for any genre, from booming subs to dripping acid.
